Skip to main content

The Question: 'Who Are You?'

Every morning, when the glass doors of Novacorp slid open, Shriya felt a part of herself vanish. The part that hummed old Hindi songs while cooking, that smiled at street dogs, that paused to smell night jasmine on her way home—none of that fit past the biometric scanner.


She was the Assistant Communications Manager here, a polished title wrapped in endless spreadsheets, muted meetings, and mechanical smiles.


But what chipped her spirit most wasn't the long hours or the never-ending deadlines. It was one question. Always the same. Always from Mr. Arvind Khanna, her boss, with his grey suit, colder eyes, and a habit of asking without looking.


"Who are you?"

He said it without pause, as if it was part of the welcome script. Whenever she made a presentation, shared a strategy, or even offered a suggestion, he’d stop her midway—


"Who are you?"

Not to know her, no. But to remind her that she was no one. That her words didn’t matter.


At first, she smiled through it, calling it a quirk. Then it dug in—like a paper cut you forget to heal. By the fifth time that week, the words had turned into a hammer. And it hit not just her confidence, but something deeper. A question she hadn't asked herself in years.


Who was she?

She looked at her emails, her Excel sheets, her pantry coffee mug with “#BossBabe” printed in fading gold—and none of it whispered an answer.


That night, Shriya walked home instead of taking the cab. Her feet ached, but her thoughts were louder than traffic. In this polished, rushed, always-updating world, where was the space to be someone? Not a brand, not a job role, not a KPI. Just someone.


At her apartment, she stood in front of the mirror. She touched her face—not to fix the kajal, but to see something real. Something lost.




The next day, she wore a yellow kurta instead of the usual grey suit. She skipped the mandatory Friday bun and left her hair open. People noticed. Whispered. But no one dared to speak.

Except Mr. Khanna.


He called her into the glass conference room.

"You seem... different," he said, eyes narrowing. "But still—who are you, Shriya to decide these office matters?"


This time, she didn’t blink.


“I’m someone who laughs loud in cinema halls,” she said softly. “Someone who used to write poems on train tickets. Someone who learned to ride a cycle at twenty-five because she was too scared as a child.”


Mr. Khanna remained silent. He hadn’t expected an answer.


“I’m also someone who meets deadlines, leads her team well, and brings new ideas. But maybe that’s not enough in your vocabulary.”


He leaned back. “That’s emotional nonsense. At work, we measure value. Not metaphors.”


Shriya stood up.

“And that’s exactly the problem, sir. You keep asking 'Who are you?' as if one person has to be one thing only. One number. One identity. But I can be everything. And nothing. All at once.”


She paused, voice steady now. “Maybe the better question is—how do I want to be? Because every day, I get to choose.”


He said nothing.


She walked out. Not fired. Not promoted. But free.

~

Weeks passed. She wasn’t trying to be rebellious. She just stopped being invisible. She laughed more. Asked better questions. Skipped corporate small talk. And one day, she gathered the courage to send her poems to a digital magazine.


They published one.


It wasn’t about her office. Or her boss. It was about an old woman feeding birds at sunrise. But somehow, it was about her too.

~

Months later, Shriya sat by her window, watching clouds stack like files in the sky. Her phone buzzed.


A message.

From her junior at work.


- "Your line today during the meeting - about people being more than their job titles- really stuck with me.

Thank you."


She smiled.

The question had changed.

Not “Who are you?”

But—“How do you want to be today?”

And every day, she had a different answer.


Sometimes soft. Sometimes strong. Sometimes lost. Sometimes bold.


But always—real.



Comments

Popular posts from this blog

āĻŽāϧুāϰ... āĻŽāϧুāϰ āϧ্āĻŦāύি āĻŦাāϜে...

 āϏāĻŽāϝ়āϟা ā§§ā§¯ā§Žā§Ŧ āϰ āĻŦাংāϞা। āĻ•āϞāĻ•াāϤাāϝ় āĻ…āύ্āϝāϰāĻ•āĻŽ āĻŽāϰāĻļুāĻŽ। āĻ…āύেāĻ•āϰāĻ•āĻŽ āĻ›েঁāĻĄ়া āĻ›েঁāĻĄ়া āĻ—āϞ্āĻĒ āϜুāĻĄ়ে āϜীāĻŦāύ āϚāϞāĻ›ে āϞোāĻ•েāϰ। āĻāϰāχ āĻŽāϧ্āϝে āĻĻুāϟো āĻŦাāĻĄ়িāϰ āĻ•āĻĨা āĻŦāϞি - āĻĻুāϟো āϘāϰ,āĻĒাāĻļাāĻĒাāĻļি āĻĒাāĻĄ়াāϝ় āĻ…āĻŦāϏ্āĻĨিāϤ। āϤāĻŦু āĻ–ুāĻŦ āϝে āĻĻুāχ āĻĒāϰিāĻŦাāϰেāϰ āĻŽāϧ্āϝে āĻ­াāĻŦ āφāĻš্āϞাāĻĻ āĻ›িāϞ āĻāĻŽāύ āĻŦāϞা āϝাāϝ় āύা। āĻāĻ•āϟা āϝোāĻ—āϏূāϤ্āϰ āĻ›িāϞ āϝেāϟা āĻāϤোāϟাāχ āϏূāĻ•্āώ্āĻŽ āĻāĻŦং āĻ…āĻĻৃāĻļ্āϝ āϝে āϏāĻšāϜে āĻ াāĻšāϰ āĻ•āϰা āϝাāϝ় āύা। āϏূāϤ্āϰ āĻšāϞো āĻĻুāχāϟি āĻŽাāύুāώ; āϏāĻŽāϰেāĻļ āĻ“ āϞāϞিāϤা। āĻĻুāχāϜāύāχ āĻ•āϞেāϜে āĻĒāĻĄ়ে āĻāĻŦং āϤাāĻĻেāϰ āĻĒāϰিāĻŦাāϰ āϤāĻĨাāĻ•āĻĨিāϤāĻ­াāĻŦে āĻĒুāϰāύো āĻĒāύ্āĻĨী āϚিāύ্āϤাāĻ­াāĻŦāύাāϝ় āϜāϰ্āϜāϰিāϤ āύāϝ়। āĻ•োāύ āĻŦিāώāϝ়āĻ—ুāϞো āĻŽāύে āĻ াঁāχ āĻĻেāĻ“āϝ়া āωāϚিāϤ āφāϰ āĻ•ি āĻ•ি āϜিāύিāϏ āϜীāĻŦāύ āĻĨেāĻ•ে āĻĻূāϰে āϰাāĻ–āϞে āĻŽাāύুāώ āĻ…āύেāĻ• āϏুāϏ্āĻĨ āĻšāϝ়ে āϚāϞāϤে āĻĒাāϰāĻŦে āϏে āύিāϝ়ে āϜ্āĻžাāύ āϤাāĻĻেāϰ āĻ›িāϞ। āĻĻুāχāϟি āĻĒāϰিāĻŦাāϰে āφāϰেāĻ•āϟি āĻ­াāϞোāϞাāĻ—া āĻ›িāϞ āϝেāϟি āĻšāϞো āϰেāĻĄিāĻ“ āĻļোāύা। āĻŦāϞা āϝাāϝ়, āĻĒ্āϰাāϝ় āϏাāϰাāĻĻিāύ āϤাāĻĻেāϰ āωāĻĻ্āĻŦেāĻ—āĻšীāύ āϜীāĻŦāύে āϰেāĻĄিāĻ“ āϘāϰে āϏāĻ™্āĻ— āĻĻিāϝ়েāχ āϝেāϤ। āĻāĻŦাāϰ āφāϏি āϏāĻŽāϰেāĻļ āφāϰ āϞāϞিāϤাāϰ āĻ•াāĻ›ে। āϏāĻŽāϰেāĻļ āĻāϰ āĻŦিāώāϝ় āĻ…āĻ™্āĻ• āφāϰ āϞāϞিāϤা āĻĒāĻĄ়ে āĻ­ূāĻ—োāϞ āĻŦিāĻ­াāĻ—ে। āĻĻুāϜāύেāϰ āϏāĻŽ্āĻĒāϰ্āĻ• āĻŦāϞāϤে āĻļুāϧু āĻĻুāϜāύ āϰোāϜ āϏāĻ•াāϞে āĻāĻ•āϏāĻ™্āĻ—ে āϰাāϏ্āϤা āĻĒাāϰ āĻ•āϰে, āϤাāϰāĻĒāϰ āϝে āϝাāϰ āύিāϜ āĻ•āϞেāϜেāϰ āĻĻিāĻ•ে āϰāĻ“āύা āĻšāϝ়। āĻāĻ•āϜāύ āύা āφāϏা āĻĒāϰ্āϝāύ্āϤ āĻ…āύ্āϝāϜāύ āĻĻাঁāĻĄ়িāϝ়ে āĻĨাāĻ•ে। āĻ“āχ āĻāĻ•āĻŦাāϰ āĻĻেāĻ–াāϰ āύেāĻļা, āĻ“āχāϟুāĻ•ু āĻ•াāĻ›ে āĻĒাāĻ“āϝ়া। āĻāχ āϏāĻŽ্āĻĒāϰ্āĻ•েāϰ āĻ—āĻ­ীāϰāϤা āĻ•েāĻŦāϞ āĻ“āχ āĻĻুāχāϟি āĻŽাāύুāώ āĻ›াāĻĄ়া āφāϰ...

Perspectives On One Sided Love!

" Ek taarfa pyar ki taaqat hi kuchh aur hoti hai ....." and the rest we all know from the famous movie dialogue. Sometimes, I feel one sided love is more treated as an ignorant side! But these things are not that much colourful as the movie cuts take place. Rather, if we step into the real world, I guess, we'll see, it has a gray shade. That's right, not love, but one sided love is actually a gray shade. It is so delicate in both ways, the one who loves and the one who don't love that person. Do you feel the same way?   đŸŒģ Honestly, I haven't faced any one sided love from my side. But I felt it from the other way, that, I became someone else's one sided love! It is not disturbing all the time, but obviously, sometimes, it is. This post will discuss from the perspective of a person who became very special for someone only one-sided way! At times, I ask myself why do these types of relationship exits? I am sure it is painful, painful to know that the one you...

7 movies to build a cognitive growth for young minds.

  Movies with Life Lessons for Young Minds- As a teacher, my hope is to introduce students to the beautiful world of movies, where they can enjoy entertaining stories while learning meaningful life lessons. Movies have the power to engage us emotionally and mentally, shaping perspectives and nurturing empathy, resilience, and self-belief. The following movies are a selection of films that are inspiring in both cognitive and emotional ways. Each story is designed to leave students with valuable takeaways that go beyond the screen and into their daily lives. Here are 7 movies one can start with: 1. Pather Panchali (1955) – Bengali Synopsis: Directed by Satyajit Ray, this timeless classic follows the journey of a young boy, Apu, and his family as they navigate life’s joys and sorrows in rural Bengal. Life Lesson: Resilience and appreciation for life’s simple pleasures. Why It’s Important: This film portrays the beauty of family bonds and finding joy in little things, even in challeng...